Modus Vivendi is the general title that Abramovic and Ulay gave to a series of performances, tapes and Polaroid photographs in the 1980s. Although the artists continued to use their bodies as art objects, the works in this compilation tend to emphasize the metaphorical and the theatrical. They also explore the artists' relationship to the landscape and rituals of other cultures. For example, in Anima Mundi, the artists are seen in dramatically staged poses in a stark architectural landscape in Thailand.
This title is available for exhibitions, screenings, and institutional use through Electronic Arts Intermix (EAI), NY. Please visit the EAI Online Catalogue for further information about this artist and work. The EAI site offers extensive resources for curators, students, artists and educators, including: an in-depth guide to exhibiting, collecting, and preserving media art; A Kinetic History: The EAI Archives Online, a collection of essays, primary documents, and media charting EAI's 40-year history and the early years of the emergent video art scene; and expanded contextual and educational materials.