At the centre of his video work Factor Green (2011) stands a box-like object painted a garish green; this object is shown being used for various purposes, including as a seat and a base, at the Accademia in Venice, before attaching itself like a sticky sponge to a painting by Tintoretto. When Nashat presented the work at the Venice Biennale, he placed in front of the projection a series of sculptures resembling museum benches: seating made of travertine or a flashy patterned imitation marble and bases for small sculptures that were themselves nothing other than pedestal-like shapes cast in faux marble. Like the garish green object of Factor Green, these bench and pedestal sculptures defy clear classification by appropriating the form and function of useful objects while seeking to charm the beholder as objects of aesthetic contemplation.
Manuela Ammer in The Pedestal Problem
Frieze, Autumn 2011