Lynne Sachs (b. 1961)

Still Life with Woman and Four Objects (1986)
Atalanta: 32 Years Later (2006)
The Small Ones (2006)
The Last Happy Day (2009)
Cuadro por Cuadro/ Frame by Frame (2009) (Directed by Lynne Sachs and Mark Street)
Drift and Bough (2014)
My Body, Your Body, Our Bodies: Somatic Cinema at Home and in the World (2020), Part 1
My Body, Your Body, Our Bodies: Somatic Cinema at Home and in the World (2020), Part 2

Lynne Sachs is a filmmaker and poet who grew up in Memphis, Tennessee and is currently living in Brooklyn, New York. Her moving image work ranges from short experimental films, to essay films to hybrid live performances. Lynne discovered her love of filmmaking while living in San Francisco where she worked closely with artists Craig Baldwin, Bruce Conner, Ernie Gehr, Barbara Hammer, Gunvor Nelson, and Trinh T. Min-ha. Between 1994 and 2006, she produced five essay films that took her to Vietnam, Bosnia, Israel, Italy and Germany — sites affected by international war – where she looked at the space between a community’s collective memory and her own subjective perceptions. Looking at the world from a feminist lens, she expresses intimacy by the way she uses her camera. Objects, places, reflections, faces, hands, all come so close to us in her films. Strongly committed to a dialogue between cinematic theory and practice, she searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with every new project. With the making of “Your Day is My Night” (2013), “Every Fold Matters” (2015), and “The Washing Society” (2018), Lynne expanded her practice to include live performance. As of 2020, Lynne has made 37 films. The Buenos Aires International Festival of Independent Cinema, Festival International Nuevo Cine in Havana, China Women’s Film Festival and Sheffield Doc/ Fest have all presented retrospectives of her films. Lynne received a 2014 Guggenheim Fellowship in the Creative Arts. Tender Buttons Press published Lynne’s first book Year by Year Poems in 2019. Lynne lives in Brooklyn with her husband filmmaker Mark Street. Together, they have two daughters, Maya and Noa Street-Sachs. Lynne’s website

“Lynne Sachs has always eluded easy labeling…. She focuses on capturing gestures, inches of skin, fragments of conversations, casual moments in time, personal memorabilia, and weaving them into unexpected patterns….. (She) sublimes the personal into the theatrical …. (and) embraces variegated renditions of filmic language, recording the world, digesting it, and offering it to viewers in its performative beauty.” How Lynne Sachs Turns Spoken Language into Cinematic Language - A retrospective of the feminist artist and filmmaker demonstrates how she explores communication in her work. Hyperallergic, July 13, 2020.